마린스키 극장, 대형 홀

방탕한 아들
 카르멘 스위트 


3장면의 발레

Performers

지휘자: 비탈리 쉐벨레프

방탕한 아들: Sergei Umanetc
시레나: Katerina Floria
아버지: Alexei Kalinin
자매: Inna Tkachenko, Alisa Sodoleva

Credits

작곡: 세르게이 프로코피예프
안무: 조지 발란신 (1929 년)
성경 비유를 바탕으로 한 극본: 보리스 코노

무대 장식 및 의상: 조르주 루오
무대 디자인: 알렉산드르 쉐르바쉬제 공작
의상 디자인: 베라 수데이키나
발레 연출가: 카린 폰 아롤딘겐, 폴 보오즈
조명 최초 디자인: 로널드 베이츠
조명 디자이너: 블라디미르 루카세비치

About the production

Prodigal Son was the last work Balanchine made for Diaghilev’s Ballets russes in 1929 with Serge Lifar in the role of the Prodigal Son; it was revived in 1950 by the New York City Ballet with Jerome Robbins in the title role. Its music by Prokofiev was written for the ballet, and its costumes and décor were created by Rouault, making it a perfect example of the collaborative efforts among artists that produced some of the best works of the Diaghilev era. New for a Diaghilev ballet was the Biblical theme and the religious spirit. In seeking eternal themes and turning to past artistic devices, western artists were trying to avoid the complete intellectual and artistic degeneration towards which their rootless experimentation was leading. Prodigal Son anticipated the trend toward religion of the 1930s and 40s. It was Diaghilev’s fate that he would always be ahead of fashion, even when he believed he had turned his back on vogue. The return of Prodigal Son to St Petersburg is of great significance. For the first time, a ballet of the most radical, late period of Diaghilev’s Saisons russes has returned to the stage of the Mariinsky Theatre. That period of Russian and world ballet has come home, which until recently was under artistic (avant-garde aesthetics of the late Diaghilev era) and ideological (use of religious motifs) censorship. With the return of Prodigal Son, the Mariinsky Theatre and its generation of young dancers have begun to restore an objective picture of the development of ballet in the 20th century.


The Ballet of George Balanchine Prodigal Son is presented by arrangement with The George Balanchine Trust and has been produced in accordance with the Balanchine Style® and Balanchine Technique® service standards established and provided by the Trust.
The Mariinsky Theatre would like to express its gratitude to Mrs Bettina von Siemens for her support in bringing the "Ballets of George Balanchine" project to life.

세계 초연: 1929년 5월21일, 댜길레프 루스키 발레,  떼아트르 드 라 빌, 파리
마린스키 극장 초연: 2001년 12월 14일, 상트페테르부르크
마린스키 극장 연해주관 초연: 2017년 3월 24일, 블라디보스토크

상연 시간: 40분

Age category 12+

© 2016 – 2024
The Mariinsky Theatre
Primorsky Stage Information Service
+7 423 240 60 60
tickets-prim@mariinsky.ru
사이트 자료와 디자인 요소 사용 또는 모방은 저작권자의 허가 없이는 금지됩니다.

The highlighting of performances by age represents recommendations.

This highlighting is being used in accordance with Federal Law N139-FZ dated 28 July 2012 “On the introduction of changes to the Federal Law ‘On the protection of children from information that may be harmful to their health and development’ and other legislative acts of the Russian Federation.”