Vladivostok, Primorsky Stage, Chamber Hall

From Duo to Quintet

Soloists of the Primorsky stage of the Mariinsky Theatre
Featuring Alena Diyanova


PERFORMERS:

Yaroslav Kopylkov
Boris Borisov
Kirill Murzin
Renat Mensitov
Yevgenii Bystrov
Pierre Hartmann
Aleksander Shtoda
Alexey Zhurba
Viktor Cheremisin (bass-trombone)
Mikhail Pavlov
Evgenii Ilinitskiy (trumpet)
Roman Kashin (trumpet)
Egor Prisyazhnyuk (French horn)
Alexey Zhurba (trombone)
Ilia Odegov (tubas)

PROGRAMME:

Part I

Francis Poulenc (1899–1963)
Sonata for clarinet and bassoon, FP 32a (1922; rev. 1945)

Armas Järnefelt (1869–1958)
lyrics by I. Koskimies (Russian text by N. Rozhdestvensky)
Berceuse (Lullaby)

Edvard Grieg (1843–1907)
lyrics by K. Janson (Russian text by S. Sviridenko)
Millom rosor (Among Roses), Op. 39 No. 4

Ottorino Respighi (1879–1936)
lyrics by M. Maeterlinck (Russian text by M. Ulitsky)
Ese un giorno tornasse (What If One Day He Were To Return). Recitativ.

Jean Sibelius(1865–1957)
lyrics by J.L. Runeberg (Russian text by M. Slonov)
Flickan kom ifrån sin älsklings möte (Once the Girl Returned From a Walk)

Georg Philipp Telemann (1681–1767)
Concerto for four violins in С-major, TWV 40:203. Arrangement for double-bass quartet of the Frankfurt Double Bass Quartet

Giovanni Bottesini (1821–1889)
Love Passion (Passione amorosa). Arrangement for double bass quartet by Klaus Trumpf

Part II

Vladislav Blazhevich (1881–1942)
Little Suite No.1 for trombone trio

Alexander Znosko-Borovsky (1908–1983)
Scherzo for three trombones (1930)

Richard Wagner (1813–1883)
Pilgrims Chorus from Tannhauser. Arrangement for trombone quartet by Victor Venglovsky

George Frederick Handel – Fred Miles
Water Music for brass quintet

Johann Sebastian Bach (1685–1750)
Aria Mein gläubiges Herze from Cantata Also hat Gott die Welt geliebt, BWV 68 (1725).
Arrangement for brass-quintet by Walter Barnes

Georges Bizet (1838–1875)
Farandole from L`Arlesienne-Suite No. 2 (1872). Arrangement for brass quintet by Walter Barnes

Host — Aglaya Zinchenko

About the Concert

Musicians of the Mariinsky Orchestra of the Primorsky Stage present the programme From Duet to Quintet with musical compositions covering the period from the 17th to the 20th centuries. The concert will be opened with Sonata for clarinet and bassoon by early Francis Poulenc, which is already marked by his distinctive style. The lively, full of feeling music and coordinated sounding of the instruments speak of increasing mastery of the 23-year old composer.

The evening will be continued by rarely performed vocal pieces by European authors sung by the soprano Alena Diyanova. They include an emotional ballad by the most renowned Finnish composer Jean Sibelius and a lightsome lullaby written by his brother-in-law Armas Järnefelt, a student of Busony and Massenet. The antithesis of the latter is the mourning song "Zur Rosenzeit" written the Norwegian Edvard Grieg after the death of his little daughter Alexandra. Filled with dramatic mood recitative Ese un giorno tornasse (What If One Day He Were To Return) is written by Ottorino Respighi, an Italian composer, who tried to reconstruct the operatic stage even in chamber music.

Part 1 will end with a quartet of double-basses – low string instruments, which are seldom heard outside orchestra repertoire. The ensemble will perform one of concertos – adapted for such an unusual instrumental combination – by Georg Philipp Telemann – the most prolific Baroque composer, whose legacy comprises more than three thousand compositions. And, of course, the musicians couldn’t ignore works by the Paganini of double bass – Giovanni Bottesini. His Passione Amorosa demonstrates melodic and virtuosic capabilities of the instrument, while the first movement is an arrangement of the vocal duo La Serenata by Giacomo Rossini.

The second part of the concert is given to brass instruments. A trombone trio will play works by Soviet composers, written with this instrumentation in mind: Suite by one of the founders of the Russian trombone school – Vladislav Blazhevich and Sonata by Ukrainian composer Alexander Znosko-Borovsky. The intensely programmed concert will culminate with famous works by foreign composers of the Baroque period (Bach, Handel) and Farandole by Bizet adapted for brass-quintet.

Age category 6+

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The Mariinsky Theatre
Primorsky Stage Information Service
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tickets-prim@mariinsky.ru
사이트 자료와 디자인 요소 사용 또는 모방은 저작권자의 허가 없이는 금지됩니다.

The highlighting of performances by age represents recommendations.

This highlighting is being used in accordance with Federal Law N139-FZ dated 28 July 2012 “On the introduction of changes to the Federal Law ‘On the protection of children from information that may be harmful to their health and development’ and other legislative acts of the Russian Federation.”