Le Corsaire

Ballet by Adolphe Adam

Credits

Music by Adolphe Adam using music by Cesare Pugni, Léo Delibes, Riccardo Drigo and Pyotr Oldenburgsky
Libretto by Eldar Aliev based on the libretto by Henri Vernoy de Saint-Georges and Joseph Mazilier

Choreographer: Eldar Aliev (using fragments of Marius Petipa’s choreography)
Set Designer: Semyon Pastukh
Costume Designer: Galina Solovieva
Lighting Designer: Eldar Aliev
Assistant Lighting Designer: Nikita Kursov
Assistant Choreographer: Reiko Otsuka (Japan)
Repetiteur: Alexander Kurkov

SYNOPSIS

Prologue

Through storm and tempest, the Corsairs’ ship is heading towards the Eastern shore of the Mediterranean Sea.

Act I

Scene 1. At the market

The Corsairs and their girlfriends, led by Conrad, arrive at the city square, where the market is in full swing. The ruler of the city, Seid Pasha, is going to arrive there in person, to buy girls for his harem.

Here Seid Pasha arrives with his retinue, accompanied by slave trader Isaac Lankendem. The first purchase of the lascivious old man is Gulnara, a lively and cheerful beauty. After her, Lankendem starts to lavish praises on the passionate Greek girl Medora. Everyone is stunned by her beauty, and Seid Pasha is rubbing his hands, in his dreams already the owner of such a gorgeous concubine.

However, the real world ceases to exist for Medora and Conrad, whose eyes meet. As a sign of love brightly flaring, Conrad gives the girl an amulet in the form of a bracelet, which should protect her and bring happiness.

The action is over, the desperate woman is taken to the harem, and the marketplace empties.

Scene 2. At the Grotto

Returning to the Corsairs’ quarters, Conrad falls asleep dreaming of Medora.

Scene 3. Le Jardin animé

Conrad dreams of a magical flower garden, where he and Medora are serenely happy.

Scene 4. At the Grotto

Upon awakening, Conrad realizes that life without Medora is unthinkable, and vows to find her, whatever the cost might be.

Act II

Scene 5. Seid Pasha’s Palace

The wives in Seid Pasha’s harem are preparing to meet their master. Only Medora is sad, deeply immersed in thoughts about Conrad. Medora’s friends ask her to share her sadness with them. The girl tells the story of a mysterious stranger who suddenly awakened love in her.

Seid Pasha’s arrival causes commotion in the harem. However, all his attention is riveted on Medora. Gulnara tries to distract him with the dances of beautiful odalisques, but they lull Seid Pasha to sleep. Accompanied by Gulnara, the sleeping man is carried away to his chambers.

It is midnight. Medora is alone, pining for her lover. Meanwhile, Conrad secretly sneaks into Seid Pasha’s palace and finds Medora there. The happiness of the lovers knows no bounds. Hearing the noise, Gulnara appears. She is eager to help and offers a plan for the loving couple to escape. Dressed in her friend’s robes, she will distract Seid Pasha’s attention for a while, thus giving the fugitives the chance to hide from the inevitable pursuit.

Medora and Conrad leave the palace, and Gulnara, having waited for Seid Pasha’s night visit, successfully executes her plan.

Scene 6. At the Grotto

The Corsairs greet their leader and his sweetheart and celebrate their safe return.

Epilogue

With all sails inflated by the free wind, the lovers sail towards their happiness.

About the production

What can be more beautiful on the stage near the sea than a ballet based on a marine theme? Le Corsaire choreographed by the head ballet master Eldar Aliev is the show to see on the Mariinsky Theatre Primorsky Stage. Since the time of its creation Le Corsaire was off to a long and successful journey. It was composed practically by the same brilliant artistic alliance that fifteen years earlier brought the immortal Giselle to the world. The librettist Jules-Henri Vernoy de Saint-Georges, the composer Adolphe Adam (whose music score later was added with pieces of other composers), and the choreographers Jules Perrot and Marius Petipa presented a new ballet masterpiece for musical theatre. This new ballet was just as romanticist and romantic as the sad and illusory Giselle yet it was very different.

Le Corsaire is filled with sunlight, bright colors, and hubbub of the Middle East bazaar, sensual luxury, and the delight of Turkish harem. Romanticists expressed their interest for the Middle East exotics in their total dedication to Ottoman style which used to be quite fashionable in the previous times (for example Mozart’s Die Entführung aus dem Serail). An explosive exotic mix is complimented with a pirate adventure and a shipwreck. Le Corsaire is a real Treasure Island with an incredible pirate story. Love is above all collisions and twists of the story which happily ends. Would you be surprised that this ballet was an absolute success when Marius Petipa worked on its improvement? In the original version of the ballet there was only one leading character performed by a prima ballerina. Initially the role of the corsair Conrad was limited to a simple pantomime. Petipa performing Conrad at the ballet premier in St. Petersburg decided to stand for men’s rights in the ballet and made the role of corsair a brilliant virtuosic performance. His followers continued this tradition adding latest elements of the classical male ballet dancing technique of their time. Petipa also came up with the famous Pas d’esclave and the scene of Le Jardin Anime (Animated Garden) – the scene of Asian paradise – where Islamic houris (pure beings of paradise) are presented as hovering beauties of harem.

Eldar Aliev’s choreography carefully preserves artistic elements of the legendary Petipa’s version. The renewed costumes and scenery of the show will please the most sophisticated ballet fans. The romance of the sea and the lure of the Turkish Middle East always make their way to the hearts of any audience whether they are adults or children. Le Corsaire is a proper family show.

Nadezhda Koulygina

World Premiere: 23 January 1856, Opéra Garnier, Paris
Premiere in Vladivostok: 25 April 2015

Running time: 2 hours 10 minutes
The performance has one interval

Age category: 6+
Le Corsaire
on the playbill
12 October 2025, 17:00
© 2016 – 2025
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