Born in Kazan. Graduated from the Vaganova Ballet Academy (class of Irina Sitnikova) and joined the Mariinsky Ballet in 2019.
Repertoire includes:
La Sylphide (sylphs); choreography by August Bournonville, revised version by Elsa-Marianne von Rosen,
Giselle (Classical duet); choreography by Jean Coralli, Jules Perrot and Marius Petipa,
La Fille du Pharaon (Aspiccia, Grand pas d’action, Almehs); choreography by Marius Petipa reconstructed by Toni Candeloro,
La Bayadère (Gamzatti, Trio of Shades); choreography by Marius Petipa, revised version by Vladimir Ponomarev and Vakhtang Chabukiani,
Swan Lake (Prince's Friends, two swans, swans, brides); choreography by Marius Petipa and Lev Ivanov, revised version by Konstantin Sergeyev,
Raymonda (Clémence), choreography by Marius Petipa, revised version by Konstantin Sergeyev,
Le Corsaire (Gulnare, trio of Odalisques ); production by Pyotr Gusev after the composition and choreography of Marius Petipa,
The Sleeping Beauty (La Fée d’Or pur,); choreography by Marius Petipa, revival of the 1890 production, staging by Sergei Vikharev,
The Sleeping Beauty (Diamand Fairy, Silver Fairy, Brave Fairy); choreography by Marius Petipa, revised version by Konstantin Sergeyev,
Don Quixote (Kitri, Flower-sellers); choreography by Alexander Gorsky after motifs of the production by Marius Petipa,
The Fountain of Bakhchisarai (Maria, Polish Noblewomen); choreography by Rostislav Zakharov,
The Nutcracker (Masha, Waltz of the Flowers, Waltz of the Snowflakes); choreography by Vasily Vainonen,
Romeo and Juliet (Juliet’s Companion); choreography by Leonid Lavrovsky,
Jewels (Emeralds – pas de trois, Diamonds), Symphony in C (IV. Allegro vivo), A Midsummer Night’s Dream (Helena); choreography by George Balanchine,
Carmen Suite (Fate); choreography by Alberto Alonso,
The Nutcracker (the Nutcracker’s Sisters); production by Mihail Chemiakin, choreography by Kirill Simonov,
Infra; choreography by Wayne McGregor,
Porcelain; choreography by Alexander Sergeev,
Paquita (Cristina, Paquita’s friends); choreography by Yuri Smekalov, reconstruction and staging of Marius Petipa's choreography (Act III Grand Pas) by Yuri Burlaka,
L'Après-midi d'un faune, choreography by Maxim Petrov.
