Shavkat Gareev


In 2014 Shavkat Gareev graduated from the Seleznyov Almaty Choreographic College (class U.V. Mirseidov, A.A. Murzakulov) and was invited to join the Musa Jalil Tatar State Opera and Ballet Theatre (Kazan).

Since October 2017 he has been a member of the Ballet Company of the Primorsky Stage of the Mariinsky Theatre.

Repertoire at the Primorsky Stage of the Mariinsky Theatre includes:
Swan Lake (Waltz/Polonaise, Mazurka, Spanish Dance); choreography by Marius Petipa and Lev Ivanov, revised choreography by Konstantin Sergeyev,
The Nutcracker (Parents, Spanish Dance); choreography by Eldar Aliev,
The Sleeping Beauty (Waltz, Mazurka, Courtiers); choreography by Marius Petipa, revised version by Konstantin Sergeyev, Eldar Aliev,
Le Corsaire (Four Corsairs, Forban, harem); choreography by Eldar Aliev, using fragments from the choreography by Marius Petipa,
Giselle (Trumpeters, Courtiers); choreography by Jean Coralli, Jules Perrot, Marius Petipa,
The Firebird (Lovers, Kashchei’s subjects); choreography by Eldar Aliev,
A Thousand and One Nights (Wizard, Executioners, Archers, Bacchanal, The Marketplace Scene, Thieves); choreography of Eldar Aliev,
The Little Humpbacked Horse (People, Gypsy Dance),
La Bayadère (Kshatri); choreography by Marius Petipa, revised choreography by Vladimir Ponomarev and Vakhtang Chabukiani,
Raymonda (Courtiers, Panaderos, Grand pas); choreography by Marius Petipa revised version by Konstantin Sergeyev and Eldar Aliev,
Don Quixote (Toreadors, Fandango); choreography by Alexander Gorsky,
Daphnis et Chloé (Warriors); choreography by Dmitry Pimonov,
Visions fugitives (Men); choreography by Dmitry Pimonov,
Bambi (Hunters), In the Jungle (Six Men); choreography by Anton Pimonov,
Phaedra (Men); choreography by Flemming Flindt.

Concert numbers:
Grand pas de deux Carnevale di Venezia from Satanilla; choreography by Marius Petipa.

Repertoire also includes:
The Nutcracker (Parents, Mice, Waltz of the Flowers); choreography by Vasily Vainonen,
The Sleeping Beauty (Courtiers, Carabosse’s attendants, Waltz, Mazurka); choreography by Marius Petipa,
Le Corsaire (Corsairs); choreography by Marius Petipa and Konstantin Sergeyev,
Don Quixote (Toreadors, Fandango); choreography by Marius Petipa and Alexander Gorsky, revised version by Vladimir Yakovlev,
La Bayadere (Warriors); choreography by Marius Petipa,
Square (Legionnaires), Spartans (Spartacus); choreography by Georgii Kovtun,
Shurale (Evil Spirits, Dzhigits); choreography by Leonid Yakobson, revised version by Vladimir Yakovlev,
La Esmeralda (Guards); choreography by Andrei Petrov (featuring highlights of the choreography by Jules Perrot, Marius Petipa, Agripina Vaganova),
Romeo and Juliet (The Capuletti’s entourage, the Ball); choreography by Boris Myagkov, revised version by Vladimir Yakovlev,
The Golden Horde (Warriors, the Tatar Dance, Crows); choreography by Georgy Kovtun,
Peer Gynt (Trolls, the Folk Dance); choreography by Georgy Kovtun,
La Fille mal gardée (The Peasant Dance); choreography by Oleg Vinogradov,
Snow White and the Seven Dwarfs (Courtiers); choreography by Boris Myagkov and Vladimir Yakovlev,
Anyuta (The Skating-Rink); choreography by Vladimir Vasilyev,
La Dame aux Camélias (The Ball, Carnaval); choreography by Alexander Polubentsev,
Dona nobis pacem (Mass Dances); choreography by Vladimir Vasilyev.

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