唐吉訶德

三幕六场芭蕾舞剧

Credits

Choreography by Alexander Gorsky after Marius Petipa
Gypsy and Oriental Dances choreographed by Nina Anisimova
Fandango choreographed by Fyodor Lopukhov
Set design: Alexander Golovin and Konstantin Korovin
Restoration of sets: Mikhail Shishliannikov
Costume design: Konstantin Korovin

SYNOPSIS

序幕
贵族堂·吉诃德沉溺于骑士小说不能自拔。他的兴致大起,于是他穿上骑士的服装,带着仆人桑丘·潘萨开始了追寻奇遇的旅程。

第一幕
第一场。
在巴塞罗那一个小酒馆前的广场上,人民欢欣鼓舞。 在人群中, 有酒馆主人的快活的女儿琪蒂和爱她的理发师巴西里。酒馆主人叫洛伦佐,他不希望自己的女儿嫁给一个给人理发剃须的穷小子,而希望她与当地富绅戛马谢结合。

人群欢迎街头舞者和斗牛士。堂·吉诃德骑士突然到来使所有的人感到惊奇。他们请旅客上桌吃饭。 女孩都嘲笑桑丘·潘萨胖子。

琪蒂的美丽震撼了堂·吉诃德,因为琪蒂和他幻想中的杜尔西娜雅长相完全一样。她是否在梦中以杜尔西娜雅的富有魅力的形象出现在堂·吉诃德面前?

第二幕
第二场。
琪蒂和巴西里从洛伦佐和戛马谢逃离了。他们顺路走到一个吉普赛人营地。堂·吉诃德也很快来到营地。他被邀请观看戏剧。 他先坐在那儿像是中了魔法, 瞪大眼睛看着, 但突然忘了那是戏剧,为保护受委屈的人物而向戏台猛冲。看到风车,堂·吉诃德把它同邪恶的巫师混淆起来,所以与它打架。

第三场。
在梦里,堂·吉诃德看到一个神秘花园。那里,杜尔西娜雅和仙子跳一场美轮美奂的舞蹈。

第四场。
洛伦佐和戛马谢追上逃亡的恋人,但是琪蒂和巴西里再次得意逃脱。堂·吉诃德以错误的一条路引导追赶者, 但是不谙世故的桑丘·潘萨纠正了他的“错误”,于是洛伦佐和戛马谢继续追逐。

第三幕
第五场。
在小酒馆里,年轻人玩得开心,跳舞。他们中有琪蒂和巴西里。洛伦佐终于赶上他们。琪蒂应该嫁给戛马谢,因此,巴西里自导自演一场自杀的闹剧。琪蒂恳求堂·吉诃德说服她的父亲履行巴西里的遗志,让洛伦佐答应二人的婚事。琪蒂父亲一满足女儿的愿望,巴西里随即醒来,小酒馆沉浸在欢乐的海洋中。

第六场。
琪蒂和巴西里办婚礼喜酒。堂·吉诃德在客人中享有荣誉。祝福新婚夫妇之后,高贵的骑士继续他的旅程。新的壮举等着他。

ABOUT THE PRODUCTION

The modern version of Don Quixote does not have much left of Marius Petipa’s original production. Moreover, Petipa was deeply hurt when Alexander Gorsky overhauled the production without consulting him: “Monsieur Gorsky shamelessly borrows my ideas”. However, without Petipa’s ballet, the still-running Gorsky production at the Mariinsky Theatre and all over the world would not have happened.
Marius Petipa created his first Don Quixote in in 1869 for the Bolshoi Theatre. He was not the first ballet master to stage a ballet based on an episode from Miguel de Cervantes’ novel. Various Don Quixotes have trodded European ballet venues since the middle of the 18th century. Ludwig Minkus composed the score for Petipa’s ballet. It was their first joint project and the starting point in their yearslong fruitful collaboration.
While Petipa staged a comedy for Moscow theatre, in his 1871 version of the ballet adapted for St Petersburg Don Quixote’s amusing adventures ended in his death. The critics’ reviews did not predict a long stage life for the production, but it managed to remain in the repertoire for 13 years and then was transferred to the Moscow stage. Alexander Gorsky undertook to edit the production at the start of the 20th century. In order to make the ballet more lifelike, he transformed the symmetrical corps de ballet, so common for Petipa’s productions, into a playful and living crowd. He restaged many scenes, cut out the tragic finale, came up with new characters and used Petipa’s memorable findings from his other works.

Olga Makarova

World premiere: 14 December 1869, Bolshoi Theatre, Moscow (choreography by Marius Petipa)
Premiere of Alexander Gorsky´s version: 6 December 1900, Bolshoi Theatre, Moscow
Premiere of Alexander Gorsky´s version in St Petersburg: 20 January 1902, Mariinsky Theatre
Premiere at the Primorsky Stage of the Mariinsky Theatre: 4 September 2019, Vladivostok

Running time: 2 hours 55 minutes
The performance has two intervals

Age category: 6+
© 2016 – 2020
The Mariinsky Theatre
Primorsky Stage Information Service
+7 423 240 60 60
tickets-prim@mariinsky.ru
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