马林斯基剧院, 大剧场

睡美人

有序幕的三幕童话芭蕾舞剧

Performers

指挥:

安东·托尔别耶夫

Princess Aurora: Irina Sapozhnikova
Prince Désiré: Sergei Umanetc
The Lilac Fairy: Katerina Floria
The Diamond Fairy: Lilia Berezhnova
Carabosse the Wicked Fairy: Sergei Zolotarev
Princess Florine: Daria Tikhonova
Bluebird: Shizuru Kato

Credits

作曲:彼得·柴可夫斯基

编剧:伊万·符谢沃洛日斯基、
马里乌斯•彼季帕
(根据夏尔·佩罗 童话故事改编)

编舞:马里乌斯•彼季帕
康斯坦丁·谢尔盖耶夫复排的版本(1952),
埃尔达尔·阿利耶夫复排的版本(2017)

Set and costume designer: Vyacheslav Okunev
Lighting Designer: Alexander Naumov

SYNOPSIS

序幕
国王弗罗列斯坦和王后正在庆祝女儿奥罗拉公主的诞生。紫丁香仙女和随从在轻柔的竖琴和小提琴声中款款到场。随后,温柔仙女、活泼仙女、慷慨仙女、勇气仙女和无忧仙女这些善良的仙女们也都到齐了。每位仙女都为刚刚降生的公主带来了礼物。
这时,惊慌失措的仆人报告说邪恶女巫卡拉波斯马上就到。卡拉波斯又老又丑,因为被人们忘记邀请参加舞会而怒不可遏。她预言奥罗拉公主长大后会因纺锤刺破手指而亡。
紫丁香仙女把卡拉波斯从公主的摇篮旁赶走,并承诺会保护公主。卡拉波斯怀着满腔怒火离开了宫殿。为了不让邪恶女巫预言的悲剧成真,国王下令全国境内不准使用纺锤,违令者死。

第一幕
奥罗拉公主十六岁了。宫殿里宾朋满座。求婚者众多,善良的公主跟每一位求婚者跳舞,但是没有答应任何一位。一位老妇人手捧一束玫瑰走向公主。奥罗拉接过花束,跳了一曲华尔兹。突然间,公主的手指被藏在花中的纺锤刺破,失去意识缓缓倒地。所有人都悲痛不已。就在此时,老妇人的斗篷从肩膀滑落,原来是邪恶的卡拉波斯。她复仇成功,得意洋洋。求婚者们纷纷提剑朝她刺去,但她却消失了。奥罗拉的教母紫丁香仙女随即赶到。她无法解除卡拉波斯的诅咒,但是能减弱其法力。善良的紫丁香仙女说:“奥罗拉没有死,她只是睡着了”,然后轻挥魔杖,让整个王国陷入一场百年酣眠。大地长满了紫丁香,城堡深深地掩藏在森林之中。

第二幕
第一场
百年已过。德西耶王子与朋友和随从在林间打猎。等到王子独自一人时,紫丁香仙女出现在他面前。她施法显现出奥罗拉公主的幻影。王子为之倾倒,伸手去触碰她,但是奥罗拉却在一群精灵的簇拥下,跳着舞离开,然后消失不见。王子急切地想要再见到她。德西耶王子跟紫丁香仙女乘小船一起前往沉睡中的城堡。

第二场
花园里杂草丛生,只住着卡拉波斯和她的手下。他们把守着通往沉睡王国的道路,不让任何人进入。突然,他们听到紫丁香仙女到来的声音。在紫丁香仙女面前,卡拉波斯无计可施。 与此同时,德西耶王子已经爬上城墙。他一心寻找公主,急匆匆地穿过沉睡的宫殿,最后终于找到了沉睡中的奥罗拉,来到她的床边。德西耶深深地亲吻了沉睡中的公主,将她唤醒。整个王国也随之苏醒。奥罗拉和德西耶之间充满了初恋的浓情蜜意。王子被奥罗拉的美貌和魅力深深吸引,于是请求国王和王后将奥罗拉公主嫁给他。

第三幕
奥罗拉和德西耶在宫殿进行盛大的婚礼。宾客中有很多童话人物:蓝鸟和佛洛琳娜公主,穿靴子的猫和白猫,大灰狼和小红帽,灰姑娘,还有追逐他们的食人魔。钻石仙子、蓝宝石仙子、金仙子和银仙子都来向奥罗拉和德西耶表示祝贺。奥罗拉和德西耶,这对幸福洋溢的新婚眷侣献上了一段欢乐的双人舞。

尾声
睡美人和王子的“婚礼大双人舞”把气氛推向高潮。此时,紫丁香仙女出现了。她是善良最终战胜邪恶的象征。

ABOUT THE PRODUCTION

The Sleeping Beauty was both completely traditional and utterly fresh. Its music, like other ballet scores of the latter half of the 19th century, had been composed according to the choreographer’s specific plan with indications as to the number of bars and the nature of their sound. But the execution of the commission did not limit Tchaikovsky’s music to the expected dance character alone. The ballet resounded with full-blooded exemplary symphonism. Its melodic richness could not but inspire great achievements. Tchaikovsky’s work did not inspire Petipa to undertake revolutionary steps; in the music the choreographer heard harmony. And his Sleeping Beauty was not a search for new methods; rather in its ideal construction it assembled together everything that the choreographer had done over his many years of work at the St Petersburg Theatre. The dance harmony of the production was defined by the balanced proportions of the ingredients – pantomime, genre crowd scenes and classical dance forms constructed with impeccable logic of the development of choreography, from ensembles to the ballerina’s solo entrance. This model of grand ballet, familiar for its component parts and innovative in the perfection of its composition, was to be the crowning glory of ballet in the 19th century. At the same time, it was The Sleeping Beauty that gave an impulse to ballet discoveries in the 20th century. Enchanted by Tchaikovsky, Petipa and Vsevolozhsky’s masterpiece, Alexandre Benois – and the subsequent most radical ballet creators – created works in the spirit of years-gone-by and remote cultures. The fascinating atmosphere of France during the reign of Louis XIV, reproduced in The Sleeping Beauty, opened the gates to the modernistic stylisations of the World of Art movement.

Olga Makarova


Premiere at the Mariinsky Theatre: 3 January 1890, St Petersburg
Premiere of the revised version: 25 March 1952, Kirov Theatre of Opera and Ballet, Leningrad
Premiere at the Primorsky Stage of the Mariinsky Theatre: 26 May 2017, Vladivostok

Running time: 3 hours 20 minutes
The performance has two intervals

Age category 6+

© 2016 – 2019
The Mariinsky Theatre
Primorsky Stage Information Service
+7 423 240 60 60
tickets-prim@mariinsky.ru
未经本网协议授权,网站上的任何标志、图形或图像均不得进行复制或转播。
user_nameВыход

The highlighting of performances by age represents recommendations.

This highlighting is being used in accordance with Federal Law N139-FZ dated 28 July 2012 “On the introduction of changes to the Federal Law ‘On the protection of children from information that may be harmful to their health and development’ and other legislative acts of the Russian Federation.”